by Jonathan Todd
As Europe faces its biggest refugee crisis since World War II, our prime minister tours the continent talking tax credits. The puniness of David Cameron next to the magnitude of events, the narrow, inward focus of his preoccupations, means that if he were a film he’d be a Dad’s Army remake.
Why, Peter Bradshaw not unreasonably asks in his Guardian review, do we need this film?
The answer, Uncut suspects, is involved with an observation previously made by Bradshaw’s Guardian colleague, Jonathan Freedland: “We have turned 1939-45 into a kind of creation myth, the noble story of modern Britain’s birth”. Basking in this myth is preferable to the grim reality of Europe’s shared contemporary challenges.
During World War II, Freedland argues, “we were unambiguously on the side of good. That, of course, is a key difference between us and our fellow Europeans, for whom that period is anything but simple or unambiguous.” The war has inculcated a sense of Britain, separate and special. This is reinforced as consistently on the printed pages of the Daily Mail as the Kardashians feature in its digital edition, wildly popular in the US. Soft porn celebrity, soft porn history.
While it is to be hoped that no one invested in Dad’s Army anticipating box office on the continent, some jokes amid the myth do little harm. It is our myth, our humour, our film. Let’s not expect it to pack Berlin cinemas.
Entertainment is one thing; politics is another. Politics ought to be more than myth peddling. But that is what Cameron provides when he claims that tax credit collection by citizens of other EU countries in the UK is the big issue now facing us and the rest of the Europe.
