by Jonathan Todd
The premise of the North Sea Scrolls, a concept album, is that the musician Luke Haines and the writer Andrew Mueller are given the scrolls, a document recounting a different version of history, by the actor Tony Allen. One track is called “I’m not the man you think I am Karen, I’m the actor Tony Allen”.
Too often Labour has failed to see the actor Tony Allen for what he really is. Nigel Farage, Boris Johnson and Alex Salmond all have Tony Allen type features. They bemuse Labour as much as they reach into parts of the electorate that Labour struggles to understand, never mind reach.
George Osborne is a different kind of Tony Allen. Farage et al are anti-politician politicians for our jaded times. Osborne, in contrast, was respected within the beltway before he was known beyond it, revered in SW1 when reviled outside it and held in ever higher regard in Westminster as his public esteem grows.
His stock ascends with economic good news, which presumes he is responsible, as chancellor, for these events. A relationship reinforced by Osborne’s opponents holding him accountable for everything that was previously going wrong.
It was precisely the chancellor’s fiercest critics, as the FT’s Chris Giles recently put it, who were themselves unable to distinguish between correlation and causation during the period of stagnation and have thereby legitimised Mr Osborne’s rhetorical victory lap. Of course, times remain tough for many. Because of this, equally obviously, Osborne would be daft to overdo this lap.








